You can't hold too much against this knowing that it was made in four days, and I had expected it to be campy anyway. (It's not all that campy in reality. With the exception of Kevin Kalisher and Huntley Ritter, who don't take themselves seriously, the rest of the cast plays it halfway straight; Riley Smith is exceptionally bad.) The ridiculous story is actually paid attention to, which kind of shocked me; I assumed the whole purpose with these ultra-low-budget horror movies was to cater to the basest sexual fantasies and not give a damn about the story, but they use lots of words like "technological" and "physicality" in the script to get their point across. (Although it's possible that the story is important only to explain why there's so few cast members.) Nobody cares about this stupid storyline, and the only things that are interesting in the film are the mocking of cults and the soft-core homoeroticisms (which aren't all that edgy). I would have enjoyed it more if there were just some random killings for no reason. The film is grainy, with a TV-quality look and acting level. There are a few "sexy" scenes that are alright -- the boys writhing in bed in their boxers, feeling themselves up; or being tied down and making orgasmic faces while wine is poured on them -- and some of them are kinda funny. And I liked the digs at L. Ron Hubbard and the intended irony of a story about religious cultists told with intense gay overtones, but it still isn't any good. 3/10
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不带期待值看到二十五集,个人觉得分低了点,-分差不多;前提是不带入不对比任何其它剧(和完全属于不同类型),还是有不少亮点的(除了大哥稍弱,其它的确是全员演技在线): 确切的说,这应该就是一部情感成长剧。孩子们小时候因为各种原因,失去了妈妈,彼此治愈,相互给与亲情的温暖;长大后,经历与家人的分离,完成了青梅竹马的感情到男女情感的转化,都是孩子们个人感情的成长。而且对于普遍网上质疑的点,其实编剧应该都是交代了,比如大哥二哥为什么这么多年回不来的原因;再比如没有回家的这
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目瞪口呆看完将近三小时的电影,视效升级、故事升级、阵容和表演升级,很少有导演的电影能做到如此引人入胜,用一幕接一幕的奇观让你目不转睛,丹尼斯·维伦纽瓦便是其中之一。保罗称帝、契妮驾着沙虫离开,至此沙丘原著第一部三卷的故事落下帷幕(下一部故事发生在年以后,不知道电影会怎么呈现),杰西卡那句“历史将会把我们称作妻子”终究没有被原封不动地呈现在银幕上。在一切不可思议的背后,是流传千年宏大的预言和仅存活数十年渺小个体之间的对抗,是回归到俄狄浦斯义无反顾摆脱命运的古老命题。不可